What started as a rather avant-garde art movement had become the one of the greatest examples of artistic forms break the mold of the convention, the revolutionary European painting and sculpture until this century and has been developed between 1908 and 1912 in a collaboration between Georges Braque and Pablo Picasso, with influences of the works of art Paul Cézanne and Tribal. Although the movement itself was not long-lived, he started a huge creative explosion that has had lasting impact and focus on the underlying concept that the essence of an object can only be captured by showing simultaneously from multiple points of view.
The movement had run its ' course at the end of the second world war and influenced the ideal qualities similar movements Precisionism, futurist and expressionist. Paintings representative of Cubist artworks, objects are broken and reassembled in an abstract form, and the artist represents the subject in a variety of points of view instead of a particular point of view. Surfaces apparently intersection random angles to produce any sense real depth, with interpenetrating the context and purpose with one another and creating the characteristic shallow area of cubism.
French art critic Louis Vauxcelles first used the term Cubism and is after the posting of a piece of works of art produced by Braque, the term was widely used even if creators required to use the term for a period of time. The Cubist movement expanded the France at this time and is now a such popular movement if quickly that critics began to referring to a Cubist School of artists influenced by Braque and Picasso, many of these artists of cubism in different directions, while the transmitters went through several distinct phases before 1920.
As Picasso and Braque worked to advance their concepts along, they went through a few distinct phases in Cubism, and which led to both analytic and synthetic Cubism. With analytical Cubism, a style has been created that incorporated densely structured almost monochrome surfaces of directional lines incomplete and modeled forms that play each other, the first phases of which came before the Cubism artistic full swing. Some art historians have also pressed a phase "Hermetic" smaller in this analytical report, and in which the work product is characterized by being monochromatic and difficult to decipher.
In the case of synthetic Cubism, which began in 1912 that the primary phase of cubism, these works are composed of separate superimposed sections. These pieces, painted or pasted on the canvas, were characterized by lighter colors. Unlike points of analytical Cubism, which fragmented objects compose parts, synthetic Cubism attempted to make many different objects to create new forms. This phase of cubism also contributed to the creation of collage and glue paper, Picasso used collage complete work and later influenced Braque first glue paper into his work.
Similar to collage in the practice, but very much a different style, glue paper consists of collage materials to a canvas with shapes glued representing the objects themselves. Braque had already used letters, but the works of both artists began taking this idea to new extremes at this stage. Letters which had previously mentioned objects have become objects, remnants of log began to exercise, but wood prints ads were all incorporated elements more later as well. Using mixed media and other combinations of techniques to create new works and Picasso began using pointillism and dot patterns to suggest aircraft and space.
At the end of the movement, with the help of Picasso and Braque, Cubism had affected more than just visual art. The Russian composer Igor Stravinsky was inspired by Cubism in some examples of his music, reassembled the pieces of the pace of the musical ragtime with the melodies of the influence of his own country. In the literature, Cubism influenced their poetry with parallel elements with analytics and poets and synthetic Cubism, and the poetry often overlaps other movements as Dada and Surrealism.
